| Kunstbücher Claude Monet |
| Monet. Von Stephan Koja, Vlg: Prestel, 1996, 221 Seiten, 130 Abbildungen, davon 100 farbig, 30 x 24,5 cm, Leinen mit Schutzumschlag, ISBN 3-7913-1643-5  Eine Monet-Monographie, die durch Kompetenz in der Werkauswahl und Schärfe der Interpretation ebenso besticht wie durch den Ehrgeiz in der reprographischen Wiedergabe. Etwa 100 selten gesehene Gemälde aus allen Schaffensphasen Monets zeigen die ganze Meisterschaft dieses großen Impressionisten. Prestel |
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| Claude
Monet und die Moderne. Von Karin Sagner-Düchting, Vlg: Prestel, 2001, 320 Seiten, 240 Abbildungen, davon 168 in Farbe, gebunden, 24 x 30 cm, ISBN 3-7913-2614-7 Dieses Buch zeigt in aufwendigen Farbreproduktionen das farbenglühende Spätwerk Monets und setzt es in Beziehung zu 25 bedeutenden Künstlern der Moderne. Gezeigt werden die berühmten Seerosenbilder, die Monet in seinem Garten in Giverny malte, aber auch die Serienbilder der Kathedrale von Rouen, in denen er den Einfluss unterschiedlicher Lichtverhältnisse auf die Architektur untersuchte. Er erreicht in diesen kraftvollen Malereien einen hohen Abstraktionsgrad, was diese Bilder für die Entwicklung der Moderne in den USA und Europa nach dem Zweiten Weltkrieg zu Schlüsselwerken macht. Prestel |
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| Monet
oder der Triumph des Impressionismus. Von Daniel Wildenstein, Vlg: Taschen 1999, 480 Seiten, Hardcover, 240 x 316 mm, deutsche Ausgabe ISBN 3-8228-7120-6 |
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| "The biography is accompanied by old photographs, so that Monet's world can be visually resurrected. They show that while he was working, Monet followed what he saw, and that what he saw was different at the end of his life than at the beginning. In this process of seeing and reproducing what was seen, lies Monet's special importance. This documentary supplement on its own would not be of merit without the generous visual miseen-scene with which it is combined." Basler Magazin, Basel Along with Turner, no artist has sought more than Monet to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. Taschen |
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